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Joined 1 year ago
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Cake day: June 12th, 2023

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  • Yah I think you are right. More articles that suggest Kojima just had a 5 year deal with Sony. I could see them negotiating IP rights if sales aren’t met or something else. Just glad they own it. Must feel good. “On November 9, 2024, the five-year anniversary of the game’s launch on PlayStation 4, Kojima Productions announced that they had re-acquired the intellectual property (IP) rights to Death Stranding from Sony Interactive Entertainment, and that they had planned to bring the game to additional platforms, coinciding with the immediate launch of Director’s Cut on the Microsoft Store for Windows, Xbox Series X/S consoles, and the Amazon Luna cloud gaming service.”


  • This article is so confusing. Pretty sure Kojima productions always owned the game/ip. Sony was first to publish then 505 for PC versions. I very much doubt they handed any IP over to Sony or 505 games except to publish on platforms most likely they had a clause they couldn’t do anything with the IP to interfere with the publisher sales like a movie, etc. The contract for 505/Sony to death standing most likely expired and now Kojima has other options for what to do with the series. This might be splitting hairs but I think it important to point out Kojima is not going to give any creative IPs away ever again to shitty companies that want to bastardize his ideas.



  • I think it’s really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn’t make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman’s rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman’s - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it’s sung in first person and should never be played in a public setting. Oingo Bongo’s - Little Girs was always a bit creepy now seems to age poorly the more time has gone on. Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.









  • Thanks for your comment. I feel like I’m on a island when I say the first was the only good one. Sure two had a few moments but the series is straight laughable. I was such a fan of the first one because of the fact the bullets ran out. I kept saying, “Why hasn’t anyone made a movie like die hard where people get tired and every bullet is counted? The protagonist picks up the guns of the villains, etc.” It’s still over the top but it was really nice to see something like that and then they completely took everything I liked and reversed it. Long coreographed fight scenes bulletproof suits, cringe dialogue, traveling to different locations because it would “look cool” if there are mirrors, neon lights and smoke. I don’t get the love.